studio Claus Wiersma

With associative films rich in imagery, such as Andrei Rublev (1966), Solaris (1972), The Mirror (1974) and especially Stalker (1979), Andrei Tarkovsky (1932‒1986) made his name as a leading innovator of the language of cinema.  Eye presents an exhibition devoted to the celebrated filmmaker and mystic, focusing specifically on Tarkovsky’s quest for existential truth. In addition to immersing the visitor in Tarkovsky’s imagery, the exhibition includes unique documents — letters, photos and Polaroids — that have never previously been displayed in the Netherlands.

Throughout summer 2019, Lafayette Anticipations invites the Dutch designer Hella Jongerius. She uses the building’s performative qualities to transform the interior space into a vast, constantly shifting loom; a giant textile studio, open to the public.
Interlace exposes the viewing public to the textile production process in order to create awareness, re-valuation and appreciation for textiles. It shows what consumers don’t usually see: the research and experimentation, the tools and materials, the trial and error that are as important as the result itself.
Throughout the three months of the exhibition, the public will be able to see new textile pieces being woven in the gallery space.

This exhibition showed the ten ‘Drawings for Projection’, that South African artist William Kentridge donated to the Eye Filmmuseum in 2015. These ten short animation films, that were made in between 1989 and 2011, marked Kentridge’s breakthrough on the international art scene. Also included in the exhibition was the film installation O Sentimental Machine (2015), featuring historical footage of Russian revolutionist Leon Trotsky. The exhibition took place during the Holland Festival, for which William Kentridge was Associate Artist.The exhibition also featured a number of large wall tapestries that Kentridge produced at a local weaving mill in Johannesburg.

Reading table with showcase for books, monitor and flyer-display.

The Kunsthal is presenting over seventy large-format prints by Piranesi from the impressive graphic art collection of Museum Boijmans Van Beuningen. As an artist, Piranesi became known in the eighteenth century for his ‘Vedute di Roma’, an extensive series of etchings of impressive views of the ruins and monuments of Rome. In his famous series of prints featuring imaginary prisons, the ‘Carceri d’Invenzione’, Piranesi – who was originally an architect – expressed his spatial fantasies. Prints of rare quality are shown from both these series, as well as eight colossal books that highlight the dizzying imagination of Piranesi – as an artist, researcher and designer. This exhibition is part of a series of three exhibitions at the Kunsthal in the context of the city-wide project ‘Boijmans Next Door’.